Wednesday, 31 December 2014

British actors say outlook is bleak in 'institutionally racist' film sector



                 Bye Angelique Chrisafis and Mark Mace
The British film industry is institutionally racist, black actors and producers said yesterday - welcoming Halle Berry's dream of racial equality in cinema, but saying it was a long way off in Britain.
Despite the success of the Asian-themed East Is East, and the growing audience for Bollywood movies at British multiplexes, the outlook for black film actors is bleak. No black British actor has taken home a Bafta for a leading role. There has been no black romantic lead in a big-budget, exported feature film, only a handful of stereotypical gangster or "bad guy" roles.
Actors such as Eamonn Walker, who starred in Othello and Unbreakable, and Adrian Lester, who took the lead in Peter Brook's Hamlet, have recently sought "more interesting" roles in the US.
Lester, who starred in Primary Colors, has said he was forced to travel outside Britain to find roles with "IQ-value attached".
Lennie James, who appeared in the recent comedies Snatch and Lucky Break, and stars in the forthcoming 24 Hour Party People, set in Manchester, said he had launched writing and directing projects to maintain a "presence" in an industry that sidelines black people.
Fresh from a British Oscar party to celebrate the success of Denzel Washington and Berry, he said: "Hopefully, these Oscars will mark a sea change in the British attitude that a black lead will not 'sell' a film abroad.
"The industry's attitude is not malicious, it stems from ignorance. I only began to get properly cast as an actor in my own right 10 years after I left drama school. The US has huge race problems, but at least in US culture everyone gets a chance. Here, we are sidelined and insulted.
"Denzel Washington said at the Oscars that there was a time when black actors were filmed so they could be cut from the final product in certain US states. The way we feel in Britain is not far off that."
Black actors such as Sophie Okonedo, who appears in Stephen Frears' forthcoming Dirty Pretty Things, and Colin Salmon, in the new Bond film, Die Another Day, prove there is a talent base in Britain. But many black actors, such as Oscar-nominated Marianne Jean-Baptiste, who appeared in Secrets and Lies, have travelled to the US for better parts.
Johann Insanally is a producer with Spirit Dance, a company established by the American black actor Forest Whitaker, which last year launched a Film Four project to encourage black talent in Britain. He said: "Halle Berry's award and comments mean a lot in the British acting world because she and Washington were awarded for ability and skill, independent of skin colour.
"But institutional racism exists. You go to a financier and say you want to make a film starring black people and you are hit with that backer's economic concerns. We do not have a black British actor considered to 'generate' a certain amount of money here or abroad. I am optimistic new writing, directing and acting talent will change that."
Trevor Thomas, who appeared in one of the first black British films, Black Joy, in 1977, said not enough has changed in 20 years.
"I just submitted a script to a major British film and television funder and it came back with a note saying it was too 'mono-racial'," he said. "It had black, Indian and white characters in it but the leading roles were black."
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Source : The Guardian,


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